Disney Parks Teases Announcements and News This Weekend at SXSW 2025

10 days ago in "The Walt Disney Company"

Posted: Friday March 7, 2025 12:05pm ET by WDWMAGIC Staff

Disney is setting the stage for theme park announcements and updates this weekend as Disney Experiences Chairman Josh D'Amaro and Disney Entertainment Co-Chairman Alan Bergman take the spotlight at South by Southwest (SXSW) in Austin, Texas.

The annual festival, known for showcasing the latest in film, music, and interactive media, will feature Disney's presentation, "The Future of World-Building at Disney," on Saturday, March 8, at 12:30 p.m. ET. The session promises insights into the future of storytelling at Disney Parks and beyond, focusing on the intersection of imagination and innovation. Disney is encouraging fans to follow along for live updates and announcements from the event.

Ahead of tomorrow's panel, D’Amaro and Bergman talk about what brings Disney to SXSW, how the interplay between innovation and storytelling comes together.

The Walt Disney Company is not thought of as a technology company. So, why is it holding a presentation that focuses on innovation at SXSW?

D’Amaro: Innovation is one of the core principles of our company — and has been for more than 100 years. We use — and invent — new technology to tell our stories in exciting, compelling ways. From robotics to ride vehicles to how we render the media in our attractions and so much more, technology is integrated into everything we do. So, of course, it makes sense for us to tell that story at SXSW, to demonstrate how we use technology to give our guests experiences they never dreamed possible.

We live in a world right now where even some of the best storytelling can be forgotten. However, Disney stories are generational. How does the interaction between the studios and the parks make the company’s stories everlasting?

Bergman: Everything we do starts with great storytelling, and we’re fortunate to have the very best storytellers at Disney no matter where you look within the company. A big reason our storytelling can withstand the test of time is the ability for people to experience our stories in so many ways — from our movies and TV shows to our parks, cruise ships, and consumer products. Those experiences are meaningful and can be shared and passed down across generations.

At the heart of it all is the creative collaboration that’s built into how we operate. The first Imagineers were actually drawn from Walt’s filmmaking team, and they developed many attractions based on films like Snow White, Peter Pan, and Dumbo that are still beloved today.

How is the interplay between on-screen storytelling and experiential storytelling something that only Disney can do?

D’Amaro: One of our company’s core strengths is the incredible collection of storytellers we have under one roof. They all work together to make imagined worlds feel real. Those stories take many forms — from movies and TV to parks, cruise ships and consumer products — and that’s what makes Disney so special. Our storytellers collaborate across disciplines to bring our characters to life in new ways. Because a Disney story doesn’t end when the credits roll or when you walk out the park’s front gate — they keep growing and evolving.

What is the most important aspect of the connection between artistry and technology?

Bergman: Since Disney was founded, it’s been driven by bringing art and technology together. That’s put us at the forefront of many advancements, from Walt’s early shorts and the first animated feature, Snow White, to the many innovations in production technology and animatronics from our teams across the company including ILM, Pixar, and Imagineering.

We view technology as an essential tool that makes us better storytellers and helps us create more immersive and compelling entertainment experiences. It’s especially helpful to have artists who understand technology and vice versa, and we’re lucky to have incredibly talented people like that who can also collaborate really well together.

How does Disney Experiences fuel innovative storytelling at the Studios?

D’Amaro: Storytellers across our company are constantly spurring one another on to do great work. We’ve seen classic park attractions inspire major motion pictures — Pirates of the Caribbean, The Haunted Mansion and the Jungle Cruise, just to name a few. And it goes deeper than that. Because Imagineers work so closely with our studios, our filmmakers are often excited to explore how their worlds might translate into immersive experiences for our guests.

How does storytelling at the Studios fuel innovations at Disney Experiences?

Bergman: They go hand in hand, and you see that every time you step into one of the parks. The influence of the films has been there since the beginning and has grown as the company has grown. Our studio’s creative teams build incredible worlds, and Disney Experiences takes those worlds and brings them to life, allowing guests to become part of the adventure. And in some cases, like with Pirates of the Caribbean, it can even go the other way. Not to mention that many of the creative leaders and storytellers at the Studio are huge Disney Parks fans themselves. So the teams draw inspiration from one another and we ensure that we maintain close connections throughout the storytelling process and in how we bring those stories to life in the parks and elsewhere.

You can watch the event livestream below, and stay tuned for more as Disney shares what's next.

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Disney Irish6 days ago

Scenario one didn’t happen overnight, it was built over time. You’re expecting an overnight replacement for a system that took many decades to build, even Wall St has realized it’s not gonna happen over night. We’re only a little over 5 years into an industry wide change to media. Yes there have been and will be bumps in the road, it has happened industry wide. That doesn’t mean however you throw the baby out with the bath water, you continue to help it grow to maturity. And last I checked it’s only two companies that are really driving the conversation on the change to steaming, Disney and Netflix, with everyone else following their lead. So for someone who supposedly has no control over the competition they are driving them to change based on their own moves. Also I think you’re losing the point of your argument here as now you’re back to talking about the system of streaming rather than the content of streaming. So maybe pick a point and stick with it.

Sirwalterraleigh6 days ago

Which outcome do you tbink is “preferred”? 1. A company is flooded with high value advertising revenue - 85% from their sports entity that had a monopoly hold over the market - and financed over 50% of the operation…which they built their physical assets, programming, etc with 2. Giving away the “successor” with no control over competition and trying to gin up the same scenario…generating what adjusted for inflation amounts to NOTHING and has to be funded by the other stuff? Oh and already cheaping on content…which could kill it? …hmmmm…🤔

Cmdr_Crimson6 days ago

DisDude337 days ago

What does it say about me as a person that I’d actually enjoy that as a ride element?

Cmdr_Crimson7 days ago

Better yet...Make it go......Backwards. Just as you splash down you hear Simba's Nooooo!!

Disney Irish7 days ago

Different scenario leads to different outcomes.

lazyboy97o7 days ago

Because Walt Disney Imagineering’s workflows ultimately centers around getting information into Autodesk software and AutoCAD for Mac doesn’t cut it.

Sirwalterraleigh7 days ago

…you need to read you Disney history on that one

Disney Irish7 days ago

That remains to be seen. As far as Wall St, they don’t care about content they care about profits. And as long as DTC continues to be profitable that is all that matters.

Sirwalterraleigh7 days ago

Content is going to be a problem for some time…don’t believe me…believe Wall Street.

MisterPenguin7 days ago

Indeed. Outside the U.S., Hulu is "Star" and "Star" is part of Disney+. It's only in the U.S. that Hulu and D+ were considered separate. But then there was the bundling. Then Hulu 'basic' showed up inside of Disney+. And the problem of Hulu Live is going to be solved by spinning it off of Hulu and merging and being called "Fubo." Nielsen no longer tracks Hulu separate from Disney+ on its "total content" graph. In the same way, ESPN will eventually fully merge into D+. It's already started.

Disney Irish7 days ago

And as always you continue to miss the point. You still see them as separate services. D+ and Hulu are basically one at this point, with the latter feeding content into the former. So you really can't say "Hulu works as it stands and D+ doesn't", because Hulu is part of D+. So if Hulu works, so does D+. So the issue you have is not with the services themselves, its with the whole content engine for DTC. To you, if I can sum up what I gather from what you've said, it seems they make good general audience content (Hulu) but not so much family friendly content (D+). And while I disagree for the most part, I can see a point there, but its really a matter of preference more than anything. As time goes on I expect this to be sorted out as they fine tune the content engine and getting it firing on all cylinders. As for ESPN+, that is a whole other conversation which I didn't even touch upon in my other post so I won't even get into that here.

Captain Neo8 days ago

Because Apple Vision is an AR device and the meta quest is true VR. They don’t quite have the same function